historical

In the late 16th century, a band of Portuguese Jews sought refuge in Turkey under the protection of Suleiman the Magnificent, the most celebrated Sultan in the Ottoman Empire. Among those escaping persecution were noble widow Doña Antonia Nissim, her daughter Reyna, and her nephew Jose. Faced with the truth of their Jewish heritage for the first time in their lives, Reyna and Jose connect with each other and find love and comfort in Turkey. Years later, their daughter Tamar falls in love with the Sultan’s son, Murat; the two vow to spend the rest of their lives together despite the oppositions of their families and the obstacles of classism and religion that stand in their way. They remain committed to their shared determination until the tensions escalade between their families and Tamar vanishes. Mad with devastation, Murat assumes his role in the Ottoman Empire and sparks what will become known as The Sultan’s Curse, a plague that affects his every descendant. Fast-forward to present-day Turkey and Selim Osman, a wildly successful real estate magnate and the grandson of the last Osman Sultan. In the prime of his life, Selim has the world at his feet until fate deals him a cruel blow: a shocking and life-altering diagnosis. Abandoning his life in Turkey, Selim turns to a Manhattan hospital in the hope of a cure; here he meets Hannah, a spirited young painter whose father is fighting a medical battle of his own. As Selim and Hannah start to understand the depth of their connection they’ll rejoin a love once lost and finally bring two fates together after decades of dormant solitude.

A lush novel spanning generations and eras, The Debt of Tamar is ambitious and beautifully crafted by debut author Nicole Dweck. Its story is a fascinating one, spun with originality by the author in a fearless departure from the typical structure of a novel. There’s a noticeable artistry to the way Dweck uses a full cast – five generations’ worth of active characters – to tell the story of one love and one destiny. What could be expected to be a frustratingly complex tale becomes a genuinely accessible novel, one that balances names, dates, and histories all with a surprising and pleasing lightness. Dweck knows exactly how long to focus on a generation of characters before moving us on to the next, understanding very well how her reader will process all this information, all these emotions and experiences. Lingering purposefully on Tamar and Murat, the novel’s central love story is palpable, but it’s where Dweck goes next that will truly surprise and engross her reader.

There’s nothing predictable about The Debt of Tamar, which is a statement that takes on new meaning as soon as the reader finishes its final pages: often a book ends one way or another, happy or sad. I was mesmerized by the way Dweck approached Happily Ever After as something woven in the invisible power of fate, something that transcends human emotion and even the human lifespan. Her efforts awaken the reader to a mystical idea of the true eternity of love and its ability to triumph even after its lovers are gone. Beyond the enchantment of her story, Dweck proves herself a capable and truly talented writer, piecing together luminous moments of prose that will blossom under her audience’s eyes. Her writing, particularly in the contemporary portion of the novel, offers a gently poetic touch that caused me to stop and remark on the way words, though perfectly natural apart, can create something special together. I suppose that in itself is a reflection on her depiction of the legacy of Tamar and Murat: existing apart, but together in love.


Title: The Debt of Tamar
Author: Nicole Dweck
Genre: Historical fiction, romance
Publisher: Devon House Press/Nicole Dweck
Available Formats: paperback
Release date: February 4, 2013
Provided by: Nicole Dweck (c/o)
Buy the book: Amazon | Kindle
Connect with the author: Website | Twitter | Goodreads

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John A. Heldt independently published his debut novel, The Mine (reviewed 10/12) , in February of 2012. The novel told the story of Joel Smith, a fresh-faced college student whose trip into an abandoned mine sends him back in time to Seattle in 1941. Heldt continued his time travel series in November with The Journey (reviewed 12/12), which saw forty-something Michelle Preston lost in the 1960s with her high school self. Now, just over a year later, Heldt is releasing his third title in the Northwest Passage series, The Show. I’ve greatly enjoyed this series and I’m looking forward to reading The Show in the next few months, but today I’m very excited to be hosting the author for a Q&A to discuss the writing and researching that goes into a time travel story and his experiences with the Northwest Passage series at large. Many thanks to John for taking the time to share his answers!


The Mine (Northwest Passage #1) by John A. Heldt
The Mine, part one in the Northwest Passage series
“I’ve been able to write the kind of stories I’ve dreamed about writing for years and market them to readers who truly appreciate them.”

How did the idea for the Northwest Passage series come about?

The idea for the series followed the enthusiastic reception of The Mine. I gave the matter a lot of thought and ultimately decided that I could produce an entire series around modern-day protagonists who travel back to a critical time in the twentieth century and confront people and problems that they still consider recent history. I chose to set each of the books in the Pacific Northwest because that is the region I know. It is home.

While time-travel is enduring among readers, it’s also a notoriously daring medium for a writer to take on. What has the experience of writing time-travel stories been like?

For the most part, it’s been a profoundly positive experience. I’ve been able to write the kind of stories I’ve dreamed about writing for years and market them to readers who truly appreciate them. But I have encountered a few bumps along the way. By choosing to write time-travel stories that elevate the fiction over the science in science fiction, I have run afoul of some who believe that time-travel novels should follow rigid rules. I do respect that school of thought, but I do not feel bound by it. As an author, my first priority is to provide readers with an entertaining story. I want my readers to laugh and cry – hopefully in the right places – as they follow my characters through time and not get bogged down by the technical aspects of something that even physicists in 2011 declared was impossible.

The Journey (Northwest Passage #2) by John A. Heldt
The Journey, part two in the Northwest Passage series
“Little things matter to readers, which is why I have tried my best to take care of the little things.”

One of my favorite things about the books in the Northwest Passage series is the terrific period detail. Has your historical research ever prompted you to take a story down a different road? Do you have a particular process for researching a novel during the book’s development?

I take great pride in this. Little things matter to readers, which is why I have tried my best to take care of the little things. When I wrote The Mine, I consulted no fewer than a dozen subject experts on things ranging from the flora on Mount Rainier to the particulars of the peacetime draft to the costs of goods and services in 1941. When I wanted to know whether it was possible to fly commercially between Seattle and Montana in 1941, I found an answer by emailing a man in Sweden who collected old airline schedules. I did similar research for The Show, set primarily in 1918 and 1919. I poured through old newspapers, yearbooks, and photographs and contacted librarians, archivists, and subject experts. I didn’t do as much for The Journey because that story was set in a time (1979-1980) and a place (eastern Oregon) I know like the back of my hand. On a few occasions, I have made minor changes in a story in the name of historical accuracy. In The Mine, for example, I originally had “Chattanooga Choo Choo” streaming out of Tom Carter’s car radio on a date with Ginny Gillette in July 1941. But the hit by the Glenn Miller Orchestra did not become a staple on the airwaves until weeks later, so I substituted another song.

The Show (Northwest Passage #3) by John A. Heldt
The Show, part three in the Northwest Passage series
“The Show is a book that takes risks and heads down paths that some might find unsettling.”

The Mine gave us a love story in 1941 while The Journey focused on the friendship between time-traveler Michelle and her younger self in the 1970s. What can readers expect from The Show?

They can expect the best-written book of the three and a thoughtful story told by a young but mature female protagonist. The Show is a roller-coaster ride that moves from 1941 to 2000 to 2002 to 1918, but it has one constant that keeps the reader grounded – and that constant is Grace Vandenberg. We see her in various stages of life – as a friend, a wife, a mother, a niece, and, oddly enough, a daughter. She is as much the heart and soul of The Show as Joel Smith is of The Mine. The Show is also very closely tied to The Mine. Several lingering questions from the first book are answered in the sequel and several characters from my debut novel are cast in new roles. The Show is a book that takes risks and heads down paths that some might find unsettling. But like the other two books, it has a powerful positive message.

Lastly, what can we expect to see from you next? Do you have plans to write additional novels in the Northwest Passage series?

I plan to publish the fourth book of the five-part series by the end of this year. In that book, Kevin Johnson, the son of Brian and Shelly Johnson of The Journey and a student of Professor Joel Smith’s, will travel as a 22-year-old in 2013 to Wallace, Idaho, in 1910. He will see Halley’s comet, fall in love, and experience the Big Burn, the largest wildfire in U.S. history. The fifth book also will feature the grown children of characters from an early book, the twin daughters of Joel and Grace, but it will be set in Seattle in 1964. After that, I will probably move on to historical fiction.

Add the Northwest Passage series to your Goodreads shelf

The Mine


The Journey


The Show


About John A. Heldt
John A. Heldt is a reference librarian who lives and works in Montana. The former award-winning sportswriter and newspaper editor has loved reading and writing since writing book reports on baseball heroes in grade school. A graduate of both the University of Oregon and University of Iowa, he is an avid fisherman, sports fan, home brewer, and reader of thrillers and historical fiction. Heldt is the author of THE MINE, THE JOURNEY, and THE SHOW, the first three novels of his Northwest Passage time-travel series.

Visit John: Website/Blog | Facebook | Goodreads | Shelfari
Buy the books: The Mine | The Journey | The Show

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Review: The Sandcastle Girls by Chris Bohjalian

by Casee Marie on January 30, 2013 · 4 comments

in Fiction

In 1915 Elizabeth Endicott, a spirited young American, arrives with her father in Aleppo, Syria, as part of a Boston-based organization whose mission is to aid the struggling survivors of the harrowing Armenian genocide. Amid the throes of World War I, hundreds of thousands of Armenians are being quietly massacred and, stationed at the American consulate in Aleppo, Elizabeth finds herself a rare witness to the tragic circumstances of a civilization being driven out of its own existence. As Turkish soldiers and gendarmes briefly usher in the barely-living women and children who have survived thus far, Elizabeth and her comrades do their best to administer food and medicine and otherwise preserve the preciously frail lives. During her plight she meets Armen, a young Armenian man spared the swift death so many have suffered by working as an engineer for the Germans. Armen has carried the weight of his share of suffering, however, having lost his wife and daughter to the genocide. As Elizabeth and Armen work to overcome the terrors of the world around them they find a connection neither had expected, and their love grows strong even after they’re driven apart. Despite the unimaginable place she finds herself in, Elizabeth is firm in her hope that she and Armen will find their way back to each other.

In 2012, novelist Laura Petrosian finds her world turned upside down when a phone call unravels a series of shocking revelations about her Armenian heritage and brings forth a host of secrets that her beloved, enigmatic grandparents took to their graves. As Laura delves boldly into the history of the Armenian genocide she comes to realize the depth of her ancestors’ plight and the many powerful stories of loss, love, and survival which have been lost in time.

As I turned the final page of Chris Bohjalian’s fourteenth novel, The Sandcastle Girls, I wondered in fascination how, as a writer and a devout user of words, my mind had managed to overcloud all language with emotion. I never find myself at a loss for words where books are concerned, but The Sandcastle Girls left me with one tiny (albeit very passionate) reaction: wow. Another one came to mind shortly afterward: stunning. With his efforts, Bohjalian has put forth a novel that in many ways transcends description: there’s simply so much to feel in The Sandcastle Girls that what’s left to say almost pales in comparison. He divides the book between two dialogues: that of 1915, which is a third-person narrative in the present tense, and Laura’s first-person, past-tense account of her journey in present-day New York. The reason I note the use of persons and tenses is purely because I found the artistry with which Bohjalian wielded them to be quite fascinating. The two accounts are not noticeably separated, so the author trusts the reader to discern his pattern and grow comfortable with it – a concept that I found daring, and the execution of which I greatly enjoyed. In the way he crafted The Sandcastle Girls, a reader can easily acquire the feeling that Bohjalian has in many ways broken apart the traditional pillars of the novel and rebuilt them as part of his story.

As for the story itself, I was overwhelmingly absorbed in the plight of the Armenian refugees and their American aids through the account of 1915. Beyond the love story of Armen and Elizabeth, Bohjalian illustrates the lives of several other characters, all equally interesting: from Armenian survivors, a young girl and her unanticipated guardian, to German engineers earnestly trying to make a difference, and the passionately dedicated American consul who hopes that someday the world will understand the degree of tragedy as he has seen it. Laura, Bohjalian’s present-day protagonist, also jumps off the page with a warm combination of humor and sadness as she shares her experience of discovery.

Through The Sandcastle Girls the author guides the reader through scenes that evoke every kind of emotion, from the hopeful happiness of a star-crossed romance to the heartbreaking tragedy of the war and genocide. I was alternately beguiled and disturbed at the turn of a page. At the heart of the novel’s success, I think, is Bohjalian’s ability to at once enchant his readers with a fascinating story and educate them on a part of history too often over-looked. The result is a beautiful journey through the fragility of human life and the immortality of will.


Title: The Sandcastle Girls
Author: Chris Bohjalian
Genre: historical, romance, literary fiction
Publisher: Doubleday
Available Formats: hardcover, e-book
Release date: July 17, 2012
Provided by: Personal library
Buy the book: Amazon | Kindle | Barnes & Noble
Connect with the author: Website | Facebook | Twitter

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Review: The Journey by John A. Heldt

by Casee Marie on December 17, 2012 · 2 comments

in Fiction, Reviews

In 2010, teacher Michelle Preston Richardson is mourning the premature death of her wealthy and successful husband, Scott. Her high school sometime-sweetheart, Scott had always been the source of emotional tumult for Michelle. Now, widowed at forty-eight years-old, she finds herself reflecting on how different her life could have been if she’d only had the courage to challenge Scott’s hold on her and follow her own dreams. In the spirit of embracing her youth and maybe finding solace in the familiarity of the past, Michelle visits her small hometown of Unionville, Oregon for her high school reunion. When her spirited, spontaneous high school friends decide to ditch their reunion festivities to rebelliously tour the dilapidated mansion where a wealthy family famously vanished in the ‘70s, Michelle’s curiosity is piqued. But entering into one dark room of the mansion proves impossibly ill-advised when Michelle exits to find that she’s been hurtled back in time to Unionville in 1979. Shocked and alone, Michelle must come to terms with the reality around her and forge a future in her own past. When she takes a job at the local high school as an attendance secretary she soon comes face-to-face with the members of her class as they embark on their senior year – including her young self, a spirited and passionate Shelly Preston. As Michelle takes this opportunity to quite literally get to know herself she discovers unlimited possibilities in Shelly’s life and embarks on a mission to help eliminate her obstacles, as well as using her knowledge of the future to help her friends and loved ones in this new present. But when historical events begin to repeat themselves Michelle must weigh decisions that only she can make; decisions that could mean life or death for the people she cares for.

The Journey is the second novel in John A. Heldt’s Northwest Passage series following his wonderful debut, The Mine. Where The Mine illustrated Heldt’s ability to colorfully recreate the dazzling world of the 1940s, The Journey reveals an equally vivid interpretation of the 1970s through the eyes of both middle-aged Michelle and high school senior Shelly. His creation of the novel’s protagonist and her younger self defies the typical structure of time travel heroines, developing from one woman two very separate characters. Each woman evolves in her own unique way and reflects different strengths and weaknesses that the reader can easily relate to. With The Journey Heldt embarks on a fascinating and remarkably vast novel, one that spans emotions as well as eras, and the result is a moving examination of what it means to live a life you’re proud of. Life and death, love and heartbreak, dreams and unfortunate realities are all faced from the perspective of two very different times in our lives: the fresh-faced, energized years of high school graduation and the reflective time of middle-age. Every element of The Journey grasps its reader’s attention and challenges them to understand the depth of their meaning. In a way the novel’s title reflects both the story it’s about to tell as well as the experience the reader is about to embark on.

As Michelle finds love in Unionville’s math teacher and baseball coach, Robert Land, a young Shelly Preston is at a crossroads with her on-again, off-again boyfriend Scott. The two women help each other through their conundrums in life, from the romantic to the scholastic and everything in between, in a way that smartly reminds the reader that sometimes we need to take advice from our younger selves as well as our present selves. This theme also contributes to the uniqueness of Shelly and Michelle as characters, separating them from each other with the idea that a person’s life can have more than one destiny. It all leads to the novel’s beautifully crafted final chapters where the reader is held in unrestrained, excited anxiety as the future becomes completely unforeseeable, even for a time traveler. Heldt boldly takes the reader through unexpected territory, and the novel soars because of it. At turns humorous and heart-wrenching, The Journey’s moving story wields a remarkable power over its reader, guiding them through the lives of two very different, very inspiring women.


Title: The Journey
Author: John A. Heldt
Genre: period drama, romance, fantasy
Publisher: John A. Heldt
Available Formats: e-book
Release date: August 26, 2012
Provided by: John A. Heldt (C/O)
Buy the book: Kindle
Connect with the author: Blog | Facebook | Goodreads | Shelfari

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