Adaptations

About this time last year I wrote Filming Fiction: Gatsby, Catcher, and the Novelistic Novel wherein I discussed my thoughts on certain novels and their inability to translate well to film – and wherein I generally discussed The Great Gatsby and my lingering avoidance of its film adaptations. Finally, just after its newest incarnation has hit the screens, I went back in time to 1974 and experienced Gatsby’s world through the eyes of Sam Waterston, Mia Farrow, and (of course) Robert Redford. This is only my second viewing of a Gatsby adaptation, and I was perhaps predictably reluctant at times. Whether you loved or hated Fitzgerald’s classic novel, I think one thing most readers could possibly agree on is the otherworldly sense that it has. Much like the fictional West Egg and East Egg are nestled into the very non-fictional Long Island, so is the bizarre magic of Gatsby’s story set inside some very real-world themes. As an observation on character flaws it’s stellar – Daisy and Tom are all too familiar depictions of “careless people” in a fast-moving social sphere – but Gatsby himself is set apart, in my opinion, from the familiarity. In that way, venturing into any Gatsby adaptation should have a hint of venturing into another world. I definitely thought Jack Clayton’s film achieved the vibe I’ve always wanted The Great Gatsby to have on the screen.

The Great Gatsby, Sam Waterston, Lois Chiles
Sam Waterston and Lois Chiles as Nick and Jordan.

Likewise, Francis Ford Coppola’s script plays so well off of the novel, bringing Nick Carraway’s narrative onto the screen in something a little more than just a voice-over. Sam Waterston offered, as Carraway, a great vessel for what I think contributes very strongly to the novel’s appeal – the unattached, slightly reluctant witness to this world of fabulous excess who is thrown in long enough to acquire a sizeable distaste for the flash of its glamour before drifting away in a quiet, contemplative bemusement. Jordan Baker is one of my favorite characters of the novel, and I really enjoyed Lois Chiles in the role; she’s so effortlessly cool, just as I imagined Jordan. Bruce Dern is boorish and slightly annoying – appropriately Tom Buchanan; Karen Black as Myrtle Wilson is just as luxuriously obsessed and erratically passionate as I imagined; and I was surprisingly moved by Scott Wilson as her husband George. Of course, the two pillars of the cast are Mia Farrow and Robert Redford.

The Great Gatsby, Robert Redford, Mia Farrow
Robert Redford and Mia Farrow as Gatsby and Daisy.

I have to admit that Daisy is really one of my least favorite characters in literature; I just don’t find myself sympathetic toward her, but to some degree I suppose that’s typical. (How I’m able to be deeply sympathetic to Gatsby and still strongly dislike Daisy has always mystified me a bit, but I guess I’m very like Nick Carraway by the end of things.) Mia Farrow, though, really reached out in her performance and made me significantly more interested in Daisy as a character, and the painful flippancy that she seems to have very little control over in her life. She really helped me to better understand Daisy’s misfortune, and I’d be curious to re-read the novel now with that performance in mind. Robert Redford I just loved: I’m not sure what else there is to say about him. Few people, I think, can pull of the quiet quirks of Gatsby; as small as it is, it can be cringe-worthy to hear the old sports spoken aloud – it’s just a little off. But not here, and those little things, along with Redford’s depth of ability make it such a wonderful performance. His reaction at seeing Daisy again for the first time struck me as such a powerful moment; it’s the things like that, the slightly hidden intricacies of his character, that I think make Gatsby so unique and intriguing.

In all, I think the film struck me as being quite like what a Gatsby adaptation should be. There will always be some strangeness of the novel that I think will make adapting it for the screen a tricky business, but this was a golden attempt and a memorable, beautiful alternative vision that captures much of the novel’s allure.


Title: The Great Gatsby
Based on: The Great Gatsby by F. Scott Fitzgerald (1925)
Genre: period drama, romance
Distributor: Paramount Pictures
Format: DVD
Release date: March 29, 1974 (theatrical)
Provided by: Netflix
Buy the DVD: Amazon | Barnes & Noble

Photos © Paramount Pictures, found via Pinterest

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Few detectives of the fiction world can admit to quite as much fame and success as Agatha Christie’s two most enduring characters, Hercule Poirot and Miss Marple. For mystery enthusiasts, each is a household name. Millions of fans have enjoyed following along as Poirot and Miss Marple use their unique brands of intellect, wit, and sensibility to solve some of the most challenging cases; their stories have been illuminated for decades on the screen, and none so perfectly than on Masterpiece Mystery!. Agatha Christie’s Poirot is celebrating its twenty-fourth year since it debuted in 1989 while the younger, equally classic Agatha Christie’s Marple will enjoy its ninth year in 2013. As they’ve worked to solve their crimes, Poirot and Marple have garnered legions of fans for these adaptations, and in the Poirot & Marple Fan Favorites collection it’s the fans who’ve taken the spotlight. The eleven-episode collection features the absolute best of Poirot and Marple as voted by the people who love them best: the viewers.

First comes Agatha Christie’s Poirot, which stars the utterly incomparable David Suchet as Christie’s beloved, finicky, brilliant, and conceited Belgian mastermind. Suchet’s ability to capture the eccentricities and genius of Hercule Poirot has made him synonymous with the detective, and his twenty-three years portraying the character have garnered him much deserving praise. Poirot was my introduction to Christie’s work when I was quite young, and as a fan it’s a joy to see him brought so skillfully to life. Among the six episodes featured in this set are Murder on the Orient Express (2010), Hercule Poirot’s Christmas (1995), The Mysterious Affair at Styles (1990), The ABC Murders (1992), The Adventure of the Egyptian Tomb (1993), and Four and Twenty Blackbirds (1989). Murder on the Orient Express is likely the most recognizable and widely-adapted of Poirot’s eighty-plus stories, and this adaptation could certainly be the best of them all. Suchet goes beyond the Poirot we all know to explore the depth of his personal life, from his religious beliefs to his own moral code. Guest stars include Hugh Bonneville, Jessica Chastain, David Morrissey, Barbara Hershey, and Dame Eileen Atkins, among others in the collection of episodes.

Next is Agatha Christie’s Marple, which starred the wonderful Geraldine McEwan for the first five years of its production before Julie McKenzie assumed the role thereafter. I couldn’t possibly choose a favorite portrayal of Miss Marple, as McEwan and McKenzie both bring such a lovely and unique charm to the character. The show brilliantly captures life in the English countryside, with views that could easily distract the viewer if not for the stunning capability of writers and cast. I’ve always admired Miss Marple for being such a well-rounded character; a sweet, simplistic lady on the surface and a whip-smart sleuth underneath. There are five fan-selected episodes in the collection, including The Murder at the Vicarage (2004), A Murder Is Announced (2005), At Bertram’s Hotel (2007), A Pocket Full of Rye (2008), and The Mirror Crack’d from Side to Side (2010). Guest stars on the selection include Derek Jacobi, Francesca Annis, Matthe Macfadyen, Rupert Graves, Hugh Bonneville, and more.

For fans of Christie’s iconic mystery and intellect, this collection certainly boasts the best of the best, making it easy for enthusiasts to own a piece of two enduring productions. Each selection of episodes beautifully captures the essence of Hercule Poirot and Miss Marple, and conveys their stories in a way that will continue to enchant viewers, whether they’re watching for the first time or all over again.


Title: Agatha Christie’s Poirot & Marple Fan Favorites
Based on: The Hercule Poirot and Miss Marple mysteries by Agatha Christie
Genre: mystery, period drama
Distributor: Acorn Online
Format: DVD
Release date: January 29, 2013
Provided by: Acorn Media (C/O)
Buy the DVD: Acorn Online | Amazon | Barnes & Noble

Disclosure: I was provided with a copy of this adaptation from the distributor for the purpose of review.

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Agatha Christie created many memorable characters along the course of her record-breaking legacy as the most popular writer of all time. But the most stylish, and perhaps the most charmingly witty, were the romantic detective duo of Tommy and Tuppence Beresford. Appearing in five novels and a collection of short stories, the Beresford’s résumé is less extensive than that of Hercule Poirot or Miss Marple, but their adventures in stylish sleuthing retain a favorite space in the hearts of Christie’s readers, and likewise in the world of film. The novel in which they make their first appearance, The Secret Adversary, was the first film adaptation of Christie’s work in the 1920s; more recently, and quite memorably, Tommy and Tuppence returned to the screen in 1983 and 1984, first in a wonderful full-length adaptation of The Secret Adversary and later in the ITV series Agatha Christie’s Partners in Crime. Starring Francesca Annis as Tuppence and James Warwick as Tommy, the series adapted ten of the short stories from Christie’s collection, Partners in Crime, into a lavish and enchanting set of mysteries full of wit, style, and Christie’s iconic knack for storytelling.

The Tommy and Tuppence mysteries capture brilliantly what it is that has made Agatha Christie’s stories stand the test of time. The author’s exciting combination of smart humor and even smarter mystery are brought to beautiful life in these adaptations, directed with panache by John A. Davis and Tony Wharmby, and brightened all the more by the sparkling cast. The period style of the 1920s is recreated with great attention to detail, most notably through the show’s costuming. Francesca Annis is scene-stealing as the impulsive and endlessly curious Tuppence, and James Warwick is charming as polished and dependable Tommy. Reece Dinsdale also appears through much of the series as Albert, the young and comedic butler-turned-assistant.

Partners in Crime evokes a feeling of returning to the familiar, even when viewing the episodes for the first time. Tuppence and Tommy are both instantly likable characters, and their endeavors – from Young Adventurers, Ltd. (“Willing to do anything, go anywhere, no unreasonable offer refused”) to overtaking The International Detective Agency – bring about plenty of exciting escapades for viewers to enjoy. James Warwick and Francesca Annis were brilliantly cast, with superb chemistry together and great depth of character apart. Tuppence, with her vivid imagination and wildly original collection of hats (there are costume changes galore), is one of the most exciting elements of the show, and dapper Tommy compliments her flawlessly. Their antics, from their brilliant detective work to the simplistic entertainment of their playful banter, make the show an endlessly diverting experience to revisit again and again.

The short stories adapted for Partners in Crime include The Affair of the Pink Pearl, The House of Lurking Death, The Sunningdale Mystery, The Clergyman’s Daughter, Finessing the King, The Ambassador’s Boots, The Man in the Mist, The Unbreakable Alibi, The Case of the Missing Lady, and The Crackler. In Acorn Online’s newly released edition of the Tommy and Tuppence mysteries they’ve brought Partners in Crime together with The Secret Adversary, the 1983 feature-length television film that first introduced Francesca Annis and James Warwick as the sleuthing couple. Thirty years since they first premiered, the Tommy and Tuppence mysteries are as delightful as ever, and compiled into a collection that will appeal to all fans of classic mystery, the lavish era of the 1920s, and the indisputable art of Agatha Christie.


Title: Agatha Christie’s Partners in Crime: The Tommy and Tuppence Mysteries
Based on: The Secret Adversary (1922) and Partners in Crime (1929) by Agatha Christie
Genre: mystery, period drama, comedy
Distributor: Acorn Online
Format: DVD
Release date: January 29, 2013
Provided by: Acorn Media (C/O)
Buy the DVD: Acorn Online | Amazon | Barnes & Noble

Disclosure: I was provided with a copy of this adaptation from the distributor for the purpose of review.

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In late-1800s London the expansive Forsyte family relishes their position as “new money” in society. Their luxurious lives face upheaval amid the trials and triumphs of several generations. The story of cousins Soames and Jolyon Forsyte and the woman who challenges their passions – the mysterious, unpredictable Irene Heron – is told in the three novels and two interludes that make up John Galsworthy’s The Forsyte Saga. One of the most acclaimed miniseries to air on the treasured PBS program Masterpiece Theater, the complete and unedited collection of The Forsyte Saga has been released this month on DVD by Acorn Media for the first time in the United States.

The Forsyte Saga Collection combines both series of the adaptations: the original seven-hour miniseries, which premiered in the States in 2003, and its four-hour sequel from 2004. The miniseries stars Damian Lewis in a bravura performance as the indomitable Soames Forsyte, Gina McKee as the object of his obsession, and Rupert Graves as the most humble and down-to-earth member of the Forsyte family, Jolyon.

The first series depicts the novels The Man of Property (1906) and In Chancery (1920) as well as the interlude Indian Summer of a Forsyte (1918). It tells the story of Jolyon’s departure from his family’s brooding, materialistic ways when he leaves his wife and daughter, forfeiting his inheritance, to spend his life with a governess he loves. Proving himself to be of a different breed than the rest of his family, Jolyon supports his new family as a painter. Simultaneously, his cousin Soames leads the Forsyte family – including the elders, and the many cousins – through the upper echelons of society as a well-established solicitor. While on holiday Soames meets and becomes entranced by the impoverished and beautiful Irene Heron. Free-spirited and bold, Irene cannot love Soames for his possessive nature and haughty aspirations. What results is one woman’s pursuit of contentment and a sense of independence while caught in the unrelenting grasp of a man who will never stop chasing his desires. It’s an epic story, with a large and vibrant cast of characters intertwining to fill the series with additional plot points. Several threads of the story which were merely mentioned in the novels and yet crucial to the story’s development are depicted strongly in The Forsyte Saga, offering a truly substantial retelling of Galsworthy’s books. The performances by many supporting characters are fantastic, including Gillian Kearney as Jolyon’s first daughter, June, and Ioan Gruffudd as June’s fiancé, Phillip Bosinney.

The second series depicts the events in Galworthy’s final novel of the Forsyte collection, To Let. The majority of the story takes place eleven years after the events of the first series. It follows the children of Soames and Jolyon, who chance to meet and fall in love despite their family’s attempts to separate them. While the series introduces new characters and a new story, a tale of two young lovers and their determination to be together, it also serves as a uniquely styled companion piece to the first series. Soames and Jolyon’s embittered rivalry is brought to new stages and the tangible drama of the first series reignites as their feud engulfs yet another generation in the Forsyte family. Many of the original cast members reprise their roles, including Lewis, McKee, Graves and Kerney, as well as Amanda Root, Ben Miles, and Alistair Petrie. The second series, while shorter and perhaps a bit less ominous than its predecessor, offers viewers a much-anticipated glimpse at what becomes of the powerful Forsyte clan.

Of the miniseries on a whole, I was vastly impressed. To undertake a series of novels like The Forsyte Saga and present them in clear, creative, and brilliantly absorbing drama is a huge feat. Damian Lewis is spellbinding in his depiction of Soames Forsyte’s maddening obsession; right down to the slightest of facial twitches, he portrays every ounce of the character’s depth. The costuming, of course, is stunning and the filming locations are exquisite. Geoffrey Burgon’s beautiful score takes the series to an even higher level. Overall, it was a thrilling miniseries with pulsating drama and a multitude of brilliant performances, offering a relentlessly engaging journey into the world of the Forsyte family.

Presented in its original, unedited entirety as seen in the UK, the collection includes more than twenty minutes of additional footage as well as a twenty-minute making-of featurette for both series, photo galleries, a booklist and biography of author John Galsworthy, and more. For fans of sweeping historical dramas and luxuriously-paced literary adaptations, The Forsyte Saga Collection is a must-have in your DVD library.


Title: The Forsyte Saga Collection
Based on: The Forsyte Saga by John Galsworthy (1867 – 1933)
Genre: Period drama, historical romance, television miniseries
Distributor: Acorn Media
Format: DVD
Release date: August 14, 2012
Provided by: Acorn Media (C/O)
Buy the DVD: Acorn Media | Amazon | Barnes & Noble

Disclosure: I was provided with a copy of this adaptation from the distributor for the purpose of review.

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